The Polyptych of Ugolino di Nerio at Brolio Castle Ricasoli 1141
Overview Provenance References Title: Saint Matthew Artist: Ugolino da Siena (Ugolino di Nerio) (Italian, Siena, active by 1317-died ?1339/49) Date: ca. 1330-1335 Medium: Tempera on wood, gold ground Dimensions: 15 1/8 x 12 3/4 in. (38.4 x 32.4 cm) Classification: Paintings Credit Line: Robert Lehman Collection, 1975 Accession Number: 1975.1.6
CategoryUgolino di Nerio Wikimedia Commons Buddha statue, Statue, Painting
Ugolino di Nerio was an Italian painter active in his native city of Siena and in Florence between the years 1317 and 1327. He was a follower of Duccio di Buoninsegna, from whose Maestà some of.
Moses by UGOLINO DI NERIO
In the past, the work has been attributed to Duccio di Buoninsegna, the founder of the fourteenth-century Sienese school of painting, but is more likely to be the work of one of his close followers and collaborators: Ugolino di Nerio. Ugolino was perhaps the most faithful interpreter of the Duchy's artistic style, whose sophisticated elegance.
Ugolino di Nerio Online
Overview / In-depth These panels were once part of a large altarpiece which adorned the high altar of the church of Santa Croce in Florence. It focused on the Passion of Christ (his torture and crucifixion) and the Resurrection - an appropriate theme, as the church was dedicated to the Holy Cross.
Ugolino di Nerio
Ugolino di Nerio was one of the most important painters in Siena and Florence in the early 14th century. He received prestigious commissions for churches and this small work was likely part of a.
The Way to Calvary (detail) by UGOLINO DI NERIO
The early Italian High Altar by Ugolino di Nerio for Santa Croce, the great Franciscan church of Florence, is well-documented. With at least thirty-five sections in all, this massive altar was painted and erected c. 1325-30. These panels recall Duccio's sense of style and organization, as Ugolino was still working with Byzantine line and.
of Ugolino da Siena (Ugolino di Nerio) Madonna and Child The Metropolitan Museum of Art
Ugolino di Nerio (1280? - 1349) was an Italian painter active in his native city of Siena and in Florence between the years 1317 and 1327. Daniel the Prophet, c. 1325, Ugolino di Nerio, pinnacle from an altarpiece, tempera and tooled gold on panel ( Philadelphia Museum of Art)
The Flagellation by UGOLINO DI NERIO
Ugolino di Nerio (Ugolino da Siena) Active in Siena, 1317-Siena (?), 1339 or 1349 (?) Member of a family of artists, Ugolino di Nerio's father and his brothers, Guido and Muccio, were also painters. Ugolino probably trained with Duccio and subsequently ran an important workshop.
CategoryUgolino di Nerio Wikimedia Commons San giovanni, Giovanni battista, Cleveland
Ugolino di Nerio. The Metropolitan Museum of Art New York City, United States. Download this artwork (provided by The Metropolitan Museum of Art). Learn more about this artwork. Details. Title: The Last Supper; Creator: Ugolino da Siena (Ugolino di Nerio) Date Created: ca. 1325-30;
Ugolino Di Nerio Jben Arts
Ugolino di Nerio ( Siena, 1280 circa - 1330 - 1335) è stato un pittore italiano attivo a Siena del quale si hanno notizie solo dal 1317 al 1327 .
CategoryUgolino di Nerio Wikimedia Commons National gallery of art, Giclee painting, Web
Category: Bibilical Art Museum: Metropolitan Museum of Art - MET Ugolino da Siena (Ugolino di Nerio) Title: Ugolino da Siena (Ugolino di Nerio) Born: 1280 - Siena Died: 1349 (age 69) - Siena Active in: Siena and Florence Nationality: Italian Notable Works: The Last Supper A story of blue A Tour of the Metropolitan Museum of Art - MET
Ugolino di Nerio or / tai / eller Ugolino da Siena (1295?… Flickr
Ugolino da Siena was the most original and accomplished follower of Duccio di Buoninsegna, the greatest Sienese painter of the fourteenth century. Among Ugolino's most important commissions was the multi-panel altarpiece for the high altar of Santa Croce, the Franciscan church in Florence. This painting of the Last Supper formed part of the predella (the lowermost horizontal component) of the.
Ugolino di Nerio The Art Institute of Chicago
Overview / In-depth These panels were once part of a large altarpiece which adorned the high altar of the church of Santa Croce in Florence. It focused on the Passion of Christ (his torture and crucifixion) and the Resurrection - an appropriate theme, as the church was dedicated to the Holy Cross.
Virgin and Child with Angels by UGOLINO DI NERIO
In the present day the Crucifixion is considered to be one of Ugolino di Nerio's finest works from his mature period, imbued with the spirituality and emotion typical of his art.
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Ugolino da Siena was the most original and accomplished follower of Duccio di Buoninsegna, the greatest Sienese painter of the fourteenth century. Among Ugolino's most important commissions was the multi-panel altarpiece for the high altar of Santa Croce, the Franciscan church in Florence.
CategoryUgolino di Nerio Wikimedia Commons Painting, Art, Duccio di buoninsegna
The Collection Robert Lehman Collection Madonna and Child Workshop of Ugolino da Siena (Ugolino di Nerio) Italian ca. 1325 On view at The Met Fifth Avenue in Gallery 952 Ugolino was a pupil of Duccio, the preeminent painter in fourteenth-century Siena and a pivotal figure in early Renaissance art.